Blog

Article at Institute of Network Cultures about Instagram’s Like Hiding PR Stunt

My article about Instagram’s Like Hiding PR Stunt at INC Blog

I wrote up a few thoughts about Instagram’s two year like hiding saga, published on the Institute of Network Culture’s Blog.

“…Despite [the media’s] stories from the time heralding Instagram’s [like hiding] tests as evidence of the company’s newfound concern for user well-being, it was always inevitably going to lead to either no actual change, or, at best, an anemic one. This is because Instagram is a corporation whose profit depends on continued growth, fueled by the extraction of user data and the production of ever-rising platform engagement. Visible metrics have been, for its entire history, a key component of this production—I would argue they are the central mechanism responsible for Instagram’s success. …”

Read the whole piece.

Instagram’s Like Hiding Saga is a PR Stunt — article on the Institute of Network Cultures Blog

Visible like counts on my own posts after enabling Instagram’s option to hide them. On left, the counts as shown in the standard notifications popup that appears every time I load the app and periodically thereafter. In the middle is the count shown when I click “others” from the feed. On the right are the like counts as shown in the notifications tab.

I wrote up some thoughts regarding Instagram’s recent statements/actions regarding their (anemic and incomplete) hiding of like counts.

Read it here.

Computers Watching Movies at World Museum in Liverpool

World Museum, Liverpool (photo by Rept0n1x)

My work Computers Watching Movies continues its travels as part of the exhibition AI: More than Human, now open at the World Museum in Liverpool. Previously it was at its premiere site, the Barbican Centre in London. From the curators: “AI: More than Human is an unprecedented survey of the creative and scientific developments in artificial intelligence, exploring the evolution of the relationship between humans and technology.”

The exhibition runs from 18 May to 31 October 2021.

Podcast Interview with The Artian in Spain

I did a long form interview with Nir Hindi of The Artian podcast in Spain. The Artian focuses on how artists think, why art can influence business, and what innovators and business leaders can learn from artists. Airing over two episodes, we talked about Facebook, metrics, software culture, TikTok, and, of course, more.

Interview for COVID E-LIT: Digital Art During the Pandemic


I spoke with Anna Nacher, Scott Rettberg, and Soren Pold as part of their documentary film COVID E-LIT: Digital Art During the Pandemic. In their words: “COVID E-LIT: Digital Art During the Pandemic follows sixteen digital artists’ experiences of the early COVID-19 pandemic throughout the United States, South America, and Europe. Through interviews with each artist, the documentary explores how measures taken to control the pandemic affected their artistic practice, ability to engage collaborators and audiences, daily life, and – most crucially – the subjects of the art they produced.”

You can watch the full film above. They also published a curatorial statement about the film at Electronic Book Review.

Tokenize This in VICE

Screenshot of VICE

My work Tokenize This is the subject of a new article at VICE. In it I speak about the work, it’s stance towards NFTs, and how some artists are adapting themselves in the service of cryptoart platforms:

Until recently, [Grosser] said, the digital art community was “disconnected in a happy way from the more conventional art market with its money motivations,” allowing critical art to flourish. But “with the intro of big speculative finance, it’s shifted a lot of artists towards focusing on, ‘How can I get in on the gold rush?’ Now I see artists erasing their own URLs from Twitter bios and replacing them with links to cryptoart platform pages, and turning their Twitter feeds into very noisy adverts for platforms, talking about bids, drops, sales.”

Read the full piece at VICE.

Interview with German Public Radio about The Endless Doomscroller

I recently spoke with Felix Wessel of Deutschlandfunk Kultur‘s show Breitband about doomscrolling and my The Endless Doomscroller. Felix also interviews psychologist Moritz Petzold. The segment is mostly in German so best for those with fluency there, but it also includes a performative reading of translated Doomscroller headlines that is fun to hear.

Listen to the episode here.

Update on 24 Feb: there’s now a text-based version of this available (here’s an English translation via Google).

Panel Discussion about The Power of Facebook with The Hmm in the Netherlands

I gave a presentation about several of my Facebook-focused works and then engaged in panel discussion about The Power of Facebook with Nabiha Syed from The Markup, design sociologist Theo Ploeg, and host Margarita Ospian of The Hmm, a group that investigates internet culture out of The Netherlands. From the organizers:

During this event we try to better understand the power of Facebook together with three speakers. Nabiha Syed from the non-profit newsroom The Markup, will tell how they’re keeping an eye on Big Tech companies, and developing tools that reveal when we are being tracked. Artist Ben Grosser will share his Facebook related projects, including ‘Safebook’, a Facebook without content. And design sociologist Theo Ploeg will explain why he thinks our data does not provide any insight into us.

My talk starts at 1:03 in the embed above. I’ve queued it up, but I definitely recommend watching the whole event.

Keynote Presentation at Sankt Interface in Linz

I gave a keynote presentation at Sankt Interface 2020, an annual event from the Interface Cultures Program at the University of Art in Linz, Austria. Interface Cultures is co-directed by Christa Sommerer and Laurent Mignonneau, and the event was co-coordinated by Cesar Escudero Andaluz. I’ve queued up the video above, but I also highly recommend the talk before mine by Valentina Tanni on her Meme Aesthetics book, as well as the Q&A with both of us after my talk.

Endless Doomscroller at PIKSEL Festival in Bergen, Norway

The Endless Doomscroller in the front of Studio 207 in Bergen, Norway

The Endless Doomscroller is part of this year’s Piksel Festival in Bergen, Norway. The festival spans several sites; my work is up at Studio 207. An annual event focused on electronic art and technological freedom, this year’s festival, titled “The future narrow, where you don’t want to go,” focuses on the following:

…We appropriate and hack Leandro Pisano’s words: We need to understand rural/online/local areas as complex spaces actively immersed in the dynamism of encounters, flows and fluxes of contemporary geographies, and critically question modern discourses of capitalism and metropolitanism in which rural/online/local territories are marginalized and considered as doomed to oblivion.

The festival is up through 22 November.