As part of my recent fellowship with the Institute for Rebooting Social Media at Harvard University, I wrote about some of my preliminary findings in an article titled Minus: Radically Finite Social Media and Alternative Futures. This text stems from my deep read and analysis of Minus’ early days. I draw several conclusions about the cultural effects of Minus’ finitude, and contrast that with the pseudo-infinite frame of big social platforms such as Twitter, Facebook, etc.
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Feature about my work in La Presse (Montreal)
La Presse (Montreal) wrote a feature about my work in a piece titled Ben Grosser, l’antinumérique, and also quoted me in another, titled À la recherche du réseau social idéal (In search of the ideal social network). (Note: both are in French)
Minus Featured in The New York Times
My social network Minus was featured in yesterday’s New York Times. In an article titled The Future of Social Media Is a Lot Less Social, journalist Brian X. Chen writes about the increasingly impersonal nature of big social platforms, and the space that shift is creating for smaller online spaces. He quotes Jonathan Zittrain talking about Minus as an experimental alternative that treats our time and attention as the finite resources they are:
One app that emerged from the program, Minus, lets users publish only 100 posts on their timeline for life. The idea is to make people feel connected in an environment where their time together is treated as a precious and finite resource, unlike traditional social networks such as Facebook and Twitter that use infinite scrolling interfaces to keep users engaged for as long as possible. “It’s a performance art experiment,” said Jonathan Zittrain, a professor of law and computer science at Harvard who started the research initiative. “It’s the kind of thing that as soon as you see it, it doesn’t have to be this way.”
If you haven’t tried out Minus yourself, give it a try.
Artist Talk with Telematic Media Arts (2020)
In fall 2020, I gave an online artist talk with Telematic Media Arts in San Francisco as part of its exhibition of my work ORDER OF MAGNITUDE. Telematic recently posted this talk on YouTube, and you can now watch it there (or above). The talk is followed by a discussion with Telematic director Clark Buckner.
Data and (Dis)obedience Conference in Boston
On 15 March I’ll be on a panel at the Data and (Dis)Obedience Conference at Northeastern University, talking about artistic approaches to data surveillance. Keynote is by Marek Tuszynski from Tactical Tech. Conference is organized by Jen Gradecki, and is being streamed online if you’re not in Boston. Register here.
Workshop on Imagining Alternative Social Media Designs at Harvard
I’m running this hybrid workshop at the Berkman Klein Center for Internet and Society at Harvard on March 23, framing and guiding some collective thinking on social media alternatives to the status quo. If you’re interested, please join! You can get all the details here.
Recent Books Discussing my Projects
Recent books discussing my projects include:
- Mulgan, Geoff. Prophets at a Tangent: How Art Shapes Social Imagination. Cambridge [UK]: Cambridge University Press
- Ganyet Josep M. La democràcia mor al núvol. Barcelona: La Magrana (Penguin)
- Sicart, Miguel. Playing Software: Homo Ludens in Computational Culture. Cambridge: MIT Press
Thanks to Miguel for sending a copy of his book, as I can’t wait to read it! I’ve got the Mulgan on order. Sadly I can’t read the Ganyet as I can’t read Spanish, but hopefully an English translation is in the works.
CBC Interview as Part of Spark Retrospective
CBC Radio (Canada) featured me in the opening segment of its recent 16-year retrospective of the tech/culture show Spark, looking back at interviewees who had been “eerily predictive” about the future of social media, algorithms, etc. Other replayed guests included Zeynep Tufecki and Evegeny Morozov. Turns out this aired on Jan 1, 2023, but I just learned of it recently.
Presentation and Dialogue as part of We Are Not Sick at REDCAT in Los Angeles
Geert Lovink will be performing his work We Are Not Sick at REDCAT in Los Angeles. I’m excited to be a part of the event, giving a short presentation on my own platform resistance projects and then moderating a dialogue with Geert after. We Are Not Sick is a real-time multimedia lecture/performance version of Geert’s book Sad by Design, bringing spoken word, music, and image together in a reflection on the sadness-inducing states of today’s big social platforms.
This event is the closing event of a day-long symposium called Staying on the Grid: Platforms, Psyches, and Paths, whose panels include scholar Dr Sarah T Roberts and artist Lauren McCarthy, both UCLA profs.
Platform Sweet Talk at Near Now in Nottingham
My work Platform Sweet Talk is currently installed at Near Now in Nottingham, England. The show is part of a series of exhibitions that make up Privacy Techtonics, a exhibition that features myself, Tara Kelton, Forensic Architecture, Yuri Pattison, Libby Heaney, Joey Holder, and James Bridle.
I also sat down with Lipika Kamra and Philippa Williams of Otoka to talk about the exhibition and social media and privacy more widely.