Opening today from arebyte Gallery in London is Real-Time Constraints, a browser-extension-based exhibition critically examines “the current state of automated and autonomic computing to provide alternative narratives to data-driven and algorithmic approaches, referencing fake-news, gender bias and surveillance.” The show includes work by Gretchen Andrew, Sofia Crespo X Dark Fractures, DISNOVATION, Jake Elwes, Ben Grosser, Libby Heaney, and Joel Simon, and is co-curated with Luba Elliott and Rebecca Edwards.
You can read a full statement about the exhibition at arebyte’s site for the show, but here’s an excerpt:
Taking the form of a browser plug-in, the exhibition reveals itself as a series of pop-ups where the works are disseminated over the duration of a typical working day, interrupting the screen to provide a ‘stopping cue’ from relentless scrolling, email notifications and other computer-centered, interface-driven work. Real-Time Constraints presents itself as a benevolent invasion – the size, quantity, content and sound of the pop-ups have been decided upon by each artist to feed into the networked performance. The exhibition is experienced through a synchronised global approach where viewers encounter the same pop-ups at the same time no matter where they are, amplifying the exhibition’s disturbance of mundanity across every time zone.
You can download the exhibition for Firefox or Chrome (links later removed as its no longer available), and see the exhibition booklet here.
I also participated in an exhibition opening panel discussion on AI and Art with most of the participants in the exhibition:
I’m very happy to be a part of this exhibition, not only because of who I’m working with but also because of the novel form and approach it takes during this time of pandemic.
The exhibition runs from 24 July to 30 September, 2020.